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So … The Emperor’s New Groove (or How the Emperor Wasted Sting’s Time)
As The Lion King had been a colossal hit, the film’s Co-Director Roger Allers (who directed with Rob Minkoff), was in such good books with Disney that he was given his own project with Thomas Schumacher giving him three choices for a cultural focus – Inca, Aztec or Mayan, and Allers chose Inca. He was full of excitement about possibilities for his project, The Kingdom of the Sun – inspired by The Prisoner of Zenda, a Prince and the Pauper-esque story about lookalikes, and he was hoping for a grand epic musical film that had a ‘mix of mythology, humour, romance’. Mark Dindal was brought on to be the Co-Director to Allers’s Director.
So … of the two of us, only one of us had seen The Emperor’s New Groove and both of us knew very little about the film’s background –
However something we both said after we’d seen it was WHY is Sting involved in this?! There are only two songs, and one is during the end credits. Our first thought was that the excitement of getting Elton John for The Lion King led to them going, ‘The sky’s the limit! Let’s get another STAR! WE WANT TO WORK WITH OUR HEROES!’
If you can, watch The Sweatbox, directed by Trudie Styler (it was released around the same time that episode of Friends above was released funnily enough!). It’s BRILLIANT. It’s got all the hallmarks of a marvellous tragicomedy – at times it’s like watching Extras or The Office. It’s like that clip from Waking Sleeping Beauty where one of the animators rips up a drawing and says ‘all that work’s going in the trash’ – except that’s the entire film. It’s devastating and darkly comic to see such hard work being done, knowing that so much of that work was completely for naught – never to see the light of day.
Plus there’s a moment where Sting, when realising he could do something after all (having previously thought that it was not allowed) says ‘Why didn’t you ******* say that in the first place?!’ We HOWLED with laughter. This needs to be on Disney Plus … immediately.
So in a nutshell, they had spent years working on this Kingdom of the Sun project, but an infamous screening was held that changed everything. One animator interviewed on The Sweatbox before going into the screening room said – ‘You don’t want them to come and go – oh, you know what? We don’t like the idea of the one guy looking like the other guy let’s get rid of [nervous laughter] the basis of the movie …’
Oh …
And that is exactly what happened
It’s not like this hasn’t happened before – they had to start again with both Beauty and the Beast and Aladdin. However, what has changed is the key dominant figures who are no longer around – no Howard Ashman, Jeffrey Katzenberg, Frank Wells, etc, plus Beauty and the Beast had to start again after 6 months, Aladdin after the infamous Black Friday meeting in early 1991, The Kingdom of the Sun after … over 3 years. The creatives involved were terrified it was going to get shelved altogether.
Post-screening, the film was completely slammed, emphasising that it was no fun, that they don’t know who they’re supposed to care about, and only liked a couple of the songs (bear in mind Sting was in the room when this was said). Sting hilariously said, ‘I enjoyed it more than I thought I would …’
Nothing like some wonderfully dry British burn
So basically, after over 3 years of working on this project, they were told that it was a load of bollocks … so sad.
And it gets even worse …
Remember how awful it was when they split the animators and co. into A Team (Pocahontas) and B Team (The Lion King)? They did something even worse than that – They split the two directors into separate teams, told them to each come up with their own pitch on the direction of the film and whoever delivers the best pitch, ‘wins’ …
Plus they called it a ‘Bake Off’
You ain’t no Bake-Off bruv
We wouldn’t call this ethically sound in a creative setting and that’s being bloody polite. Why make this into a competition? Wouldn’t it have been more strategic and a better use of time and energy to get them to work together on a new and improved pitch? They all came together after Aladdin’s infamous Black Friday meeting and knocked it out in 8 days. And finally, it is really undermining Roger Allers’s authority and leadership as the main director, in addition to this project being his baby. Sadly for Allers, Dindal’s team’s pitch was selected, and even more devastating, he chose to leave the project because of it. The changes that were suggested were so extreme that he said it wasn’t the film he wanted to work on anymore. That … is … awful. Not even to step back, but completely leave – it’s incredibly sad. He referred to it as a film that resembled ‘a corpse wandering around without a body’ and he just looks in bits during The Sweatbox, saying that he was ‘grieving’ over the loss of his film.
Hilarious stuff from some of the animators interviewed as they awaited the changes, displaying beautiful irritation with sardonic musings on what will happen to the film, i.e. what next set in Nebraska instead of Peru? Sheep instead of llamas? They all seemed really annoyed at the notion that the arrogant Emperor was now going to be the main character, and considered that a ridiculous idea.
In a way they weren’t far off – plots and characters were completely dropped – the Prince and the Pauper plot between the Emperor and the llama herder, the love story between the llama herder and the Emperor’s fiancée (Sting had written a love ballad and everything), Yzma’s plan to block out the sun to keep her young, even the llama plot, etc. Harvey Fierstein was meant to be in this film playing a talking rock paired up with Yzma and Sting had written a song called ‘Why Can’t a Human be More Like a Rock’ inspired by ‘Hymn to Him’ aka ‘Why Can’t a Woman be More Like a Man’ from My Fair Lady sung by Rex Harrison.
There was a little nod to the character left in … we’re guessing some were sad to lose him!
The tone, style and genre shifted entirely from an epic romance mythical drama to a madcap screwball buddy comedy. Mark Dindal had a desire to want to focus more on character and scaled everything back. Pacha shifts from a 16 years old ingenue to a 45 year old married dad of two. Yzma became less of a dominating figure with the sun/youth plot removed from her motivation, resulting in Andreas Deja also leaving the project, which was painful for him as he threw his heart and soul into it and said it made him lose interest in it – Eartha Kitt stayed on but admitted that Allers’s take was more profound. Sting is always on board to be dryly and cuttingly amusing as he said he was attracted by the epic scale of the original version of the film and instead it’s been reduced to smaller-scale about family/friendship – ‘My skills as a songwriter aren’t pertinent to that’.
Sting ultimately had a right to be pissed off as the film went from a soundtrack of 6 songs, to 1 song, and 1 song over the end credits.
How the Emperor Wasted Sting’s Time indeed.
It was one thing after the other – they scored the film, disliked the score, and got someone new to do the score – the original composer said that at least he got paid. Pacha’s newly created wife kept going from existing to being killed off to existing to being killed off.
Seriously Disney will you STOP with the Katzenberg: “86 the Mom” approach towards mothers?
They changed the title from Kingdom of the Sun to Kingdom in the Sun …
(Special Note from Both: Well that fixes everything!)
… and then eventually The Emperor’s New Groove, which Sting thought was a crap title. Admittedly it is.
There were many more things which will undoubtedly come up in this review but seriously WHAT A MESS.
To top it off, the deadline wasn’t moved back so they had barely any time to put the film together. It was like the equivalent of a student working on a dissertation for months and then deciding to completely change the topic and rewrite it 24 hours before the deadline.
But did that student get a good grade in spite of all that?
Let’s see.
But first! Original trailer time – long time no see –
- So you think this is going to be epic, serious Disney? PSYCHE! NOT! A momentary glimpse into the hell that was production on this film … how very meta of you Marketing department
- What a nineties hangover this trailer is – ‘HE had a serious attitude’
- An ‘evil advisor’ – well who doesn’t?
- It’s spliced together so fast that it actually makes this very straightforward film seem complicated – are you trying to sabotage this film?
- Original Trailer Man – did you go out for a smoke or something? They’re now just showing scenes from the film – odd considering the sneeze-like quality of editing a moment ago
- A Tarzan reference? You’re referencing your own film that came out a year ago – smooth
- For a moment it looks like a million Bagheeras are glaring at a swinging Baloo in a shirt
- Did we have a brief glimpse of Yzma’s deleted number?
- Original Trailer Man popped back in from his smoke eager to see the ‘romance’ between a man and a llama
- ANTICS! KIDS LOVE ANTICS!
- Pacha’s family is completely absent from the trailer – they were likely going hmm what would Katzenberg do? (‘They’re ZEROS! 86 the FAMILY!’)
- Trailer we already know that you failed on at least one count … you dismally underused your two funniest characters (spoiler alert to our review)